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Emerging Artists

AGES 19-35

Our Emerging Artists Program invites participants who are studying or have recently graduated from a performing arts training program, to further develop their skills under the mentorship of experienced industry professionals.  Participants in the program could intern all aspects of a musical theatre production, including performance, stage and production management, design and directing, budgeting, marketing, and promotion.  The program will also encourage exploration of new repertoire for musical theatre through table reads, workshops, and developmental projects. 

This program is a Canadian-funded program for the promotion and advancement of young Canadian artists and appropriate for participants in post-secondary fine arts education, or those who are launching careers in theatre performance or production.

The Storyteller by Kathleen Mills

Performances July 16-21, 2023

Rehearsals will be June 15-July 15, 2023

non-equity - cast will be paid a profit-share honorarium

Casting Auditions are now complete


In a village at the base of a mountain spring comes every year on the same day, when one storyteller braves the climb and brings a story to the Goddess at the top. It is the coldest winter yet and it looks like spring may not come this year, when two strangers arrive and the world is changed forever.


Our show explores themes of growing up, community, and how we can support those in our lives who need us. It is appropriate for all ages.


Ana- (She/Her) Ana is an optimistic but anxious young woman. She loves stories and secretly dreams to be a storyteller, but she lacks the confidence in herself. She is kind to others and learns that her kindness is one of her strongest qualities.

Lily- (She/Her) Lily is a fierce and brave young woman. She dreams of adventure, danger, excitement, and something new, but she's stuck in a town where nothing changes. She is Ana's best friend.


Sawyer- (Any pronouns) Sawyer is a musician from a distant village travelling the world with their best friend Axel. They are trying to find their voice in their music, but no one has believed in them before.


Axel- (Any pronouns) Axel is a self proclaimed "brilliant inventor." They travel the world with Sawyer trying to find somewhere that will appreciate their inventions. While they seem aloof and a little rude, they are just looking for somewhere to belong.


Narrator- (Any pronouns) The original storyteller, the narrator guides the audience through Ana’s story, writing as they go looking for the perfect ending.


Goddess- (Any pronouns) The all powerful Goddess who lives at the top of the mountain. While she has become an uncaring legend to the village, in reality she is a gentle soul who is in need of a friend.


Chorus- (Any pronouns) The chorus serve as townspeople, the mayor, other storytellers, musicians, a snowstorm, and anything else the narrator or the characters can bring to life with their stories. They are full of magic and mischief. The chorus can range from 2 actors to 15! They are full of character and work best as an ensemble

NOTES- The only specified pronouns in the show are Ana and Lily which have been written as women. Every other character can be played by anyone of any gender identity! This was a purposeful choice as often in the musical theatre canon there are not enough roles for gender minorities.


Summer 2023

Carmen by Georges Bizet

Summer Opera Intensive

July 24-August 20 2023


August 11, 12, 13, 18, 19 & 20 2023

Openings for: Principle Roles, Adult Chorus, Children's Chorus

Role preparation, diction classes,

Masterclasses (Acting Through Song and Audition Preparation)

Fees: $650 CDN $500 US (Principles)

$325 CDN $250 US (Chorus)

Submit at

Children's Chorus Application

Adult Chorus Application


Following a highly-successful summer program featuring The Marriage of Figaro, No Strings Theatre and Opera by Request will be partnering once again with director Gregory Finney for a summer production of Bizet's Carmen, sung in French, with the original spoken dialogue rendered in English.  Other performance opportunities will include a recital and cabaret show, and rehearsals will be supplemented with several masterclasses.  In addition to Mr. Finney, instruction will be offered by Denise Williams (No Strings Theatre) and William Shookhoff (Opera by Request), as well as artist-mentor Ernesto Ramirez and guest instructors Marcia Whitehead and Julie Nesrallah.  


The intensive runs from July 22nd to August 20th.  Rehearsals and classes will initially be held in Toronto, with production week rehearsals and performances taking place at the MVL Stable in Adjala Ontario, near Orangeville.

Director's Notes         THE CREATIVE TEAM AND MENTORS

Roles available are as follows:

Carmen:  mezzo-soprano or soprano

Don Jose:  spinto tenor

Escamillo:  baritone

Micaela:  soprano

Frasquita: soprano

Mercedes: mezzo-soprano

Dancairo:  baritone

Remendado: tenor

Zuniga: bass

Morales: baritone

Lillas Pastia: spoken

Guide: spoken

Chorus and children's chorus




Delighted to be  starting at No Strings Theatre and returning to Opera By Request - after his company debut as Michonnet in ADRIANA LECOUVREUR – as Bartolo/Antonio in LE NOZZE DI FIGARO) Baritone Gregory Finney has been hailed for his versatility and skill after his turn as Escamillo in LA TRAGEDIE DE CARMEN with LooseTEA Music Theatre among others. One of Toronto’s busiest singers, mostly at home in comedic roles, he garnered rave reviews for his turn as Antonio/ Bartolo in Against The Grain theatre’s hit production FIGARO’S WEDDING. He’s been seen as Il Conte (LE NOZZE DI FIGARO); Papageno (DIE ZAUBERFLOTE) and as Figaro (LA MERE COUPABLE). He was seen in the Canadian premieres of JERRY SPRINGER: THE OPERA, LUISA FERNANDA, KATE AND THE DEVIL and KNICKERBOCKER HOLIDAY and the world premieres of KAMOURASKA and Eric Idles NOT THE MESSIAH. (@gregory_finney) (



William Shookhoff is a noted conductor, pianist and vocal coach throughout Canada and abroad. He has served on the music faculties of the Universities of Toronto, Alberta, Wilfrid Laurier, as well as the Banff
Centre for the Arts and the Johannesen Summer Institute of Music. He has been on the Music Staff of the Canadian, Netherlands, Edmonton, and Portland (Oregon) Opera Companies. Mr Shookhoff was the Associate Conductor of the inaugural Canadian production of Les Miserables, and of the Canadian Tour and Toronto productions of Phantom of the Opera. He
has been a guest Music Director with Neptune Theatre (Halifax), Persephone Theatre (Saskatoon), and Citadel Theatre (Edmonton). Mr. Shookhoff makes frequent appearances in those capacities throughout Western Europe and China, as well as maintaining an active coaching studio in Toronto. He is a regular guest conductor with the Bluebridge Festival and with Opera Kitchener. He has also devoted his efforts to the development and presentation of the Massed Piano or Monster Concert, and has conducted such events at Carnegie Hall, New York; Massey Hall and Nathan Philips Square, Toronto; the White House, Washington, DC;
and the Castel Sant'Angelo, Rome. Mr. Shookhoff is Artistic Director Emeritus at Tryptych Productions.

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Windsor native Bass-Baritone John Holland has embarked on a diverse career of opera, oratorio, and art song. In 2020, John won a JUNO award as a member of the Ottawa Bach Choir. His Operatic credits include Figaro in Le Nozze di Figaro at the Mozarteum in Salzburg, Leporello and Masetto in Don Giovanni at the Estates Theatre in Prague, Vodník in Rusalka in the Czech Republic, Taddeo in L’Italiana in Algeri at Casa Loma, Purkrabi in Dvořák’s Jakobin, Caspar in Der Freischütz, Achilla in Giulio Cesare, Belcore in L’Elisir d’Amore, Henry VIII in Anna Bolena, Baron Ochs in Der Rosenkavalier, and Alberich in Der Ring Des Nibelungen with Toronto’s Opera by Request.  

He has sung at such locales as the Canadian Opera Company, Mozarteum in Salzburg, Bachfest in Leipzig (2014, 2022), Smetana Hall and the Estates Theatre in Prague, and San Marco in Venice, and has shared the stage with the likes of Placido Domingo, Sherrill Milnes, Rene Pape, and Lorin Maazel. Recent performances include, Bass Soloist in Shostakovich Symphony 14, Bass Soloist for a CD recording of Bach’s Motets on ATMA Classique, and several oratorio concerts.


He was a winner of the 2002 CBC Radio Opera Quiz Competition, and a finalist in the London Opera Guild Competition in 2001 and 2003. A respected academic, John is a three-time lecturer for the Canadian Opera Company’s London guild, a regular lecturer at the Royal Conservatory of Music, and a nine-time judge for the JUNO Awards. He is also an alumnus of the University of Windsor and Western University music faculties.  

Dr. Holland completed his PhD in Musicology at York University in 2018. His scholarly work reaches over many genres, but is focused on the study of Czech Opera, Art Song, and Choral Works. His dissertation, Beyond the Silver Moon: Exploring the Lost Tradition of Dvořák's Operas Through a Study of Myth, Music, and Nationalism, critically analyzes these operas, and views them through the lenses of social, cultural, and political history, and pieces together the answers to why these operas are essentially lost works within the Czech lands, and abroad. In the fall of 2014, he produced the Canadian premiere of Dvořák’s opera Jakobin. He is also the founding director of the Canadian Institute for Czech Music, and continues to be in demand as a performer, choral conductor, and lecturer, as well as being a member of the contract faculty at York University.



The dazzling Julie Nesrallah performs for leading opera companies, symphonies, festivals and chamber music ensembles across Canada and around the world. Miss Nesrallah sang God Save the Queen for Will and Kate, the Duke and Duchess of Cambridge, for Canada Day festivities on Parliament Hill in a performance that was viewed by millions. She also sang for An Evening for Peace for Her Majesty Queen Noor of Jordan in Montreal. Miss Nesrallah is the host of Tempo on CBC Music and is also the executive producer and star of Carmen on Tap which performs Georges Bizet’s Carmen as dinner theatre. Miss Nesrallah has been the recipient of several distinguished awards including the Canada Council for the Arts Emerging Artist Award & Mid-Career Grant, and the Queen’s Diamond Jubilee Medal for her cultural contribution to Canada’s performing arts.




Mexican tenor Ernesto Ramırez debuted as Pinkerton in Madama Butterfly with Mexico’s Opera de Leon, Rodolfo in La bohème with Pacific Northwest Opera, and sang his first Don Jose with Opera 

Kelowna’s Carmen, and in concert with KitchenerWaterloo Symphony. In 2022, Ernesto stars as Don Jose in concert performances of Carmen with Orchestre Classique de Montreal, and debuts as Ralph Rackstraw with Vancouver Opera in their updated production of HMS Pinafore, conducted by Rosemary Thomson. In 2014 while engaged as a cover for the title role of Roberto Devereux with the Canadian Opera Company, he was thrilled to share the stage in performance with soprano Sondra Radvanovsky. Operatic roles for Ernesto include Raoul in the Canadian Premiere of Meyerbeer's Les Huguenots, Arturo in I Puritani, and Alfredo in La Traviata with Sarasota Opera. Ernesto debuted in Against the Grain Theatre’s digital project of Bound, a reaction to those displaced, dehumanized and mistreated by recent geopolitical conflict, with original text by director Joel Ivany. Ernesto sang Stefano in John Estacio’s acclaimed opera Filumena with Calgary Opera, and in 2021 reprised the role with Brott To You in their digital production of selected scenes. His “resplendent tenor” has been heard in performances of Verdi’s Requiem with Brott Music Festival, Beethoven's Ninth Symphony with the Winnipeg Symphony Orchestra, Niagara Symphony, and Kingston Symphony. He also performed at The 150th Anniversary of Puccini, a gala hosted by Simonetta Puccini. Ernesto Ramirez is a Canadian Resident and holds U.S. and Mexican Citizenship.




Marcia Whitehead sang professionally as a mezzo soprano with Opera companies and Symphonies across Canada for over 15 years. She apprenticed with Montréal Opera's L'Atelier Lyrique and is an alumnus of numerous young artist programs. Today, Marcia passes her stage experience and training on to her private students, as well as the young singers attending her lively vocal masterclasses at high schools and Universities in Toronto and online. She recently launched her mini-memoir, Botox Me, which ignited her one-on-one coaching program, S.O.S. Sessions for Singers Overcoming Setbacks. Marcia is thrilled to have been asked to mentor the artists of Opera by Request's summer production of Bizet's Carmen. To learn more about Marcia, please visit

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Artistic Director | Director of Marketing | Co-Founder of Icarus Theatre

Graduate of Sheridan College Bachelor of Music Theatre, 2021

Anthony Goncharov is an actor, director, and (most importantly) CEO and Artistic Director of Icarus Theatre. He believes deeply in the craft of theatre, and hopes to build Icarus Theatre into a place where theatre artists can come to stretch their capabilities and tell beautiful stories.

For theatre (selected): Concord Floral (PuSh, Touchstone,) Pericles, Prince of Tyre (Shakespeare by the Sea NL,) Happy End (Theatre Sheridan/Allyson McMackon,) Wyspa (Vancouver Fringe,) Private Peaceful (Peninsula Productions.) For film/TV: The Dark Side of Comedy (VICE,) Sam & Dennis (York U.)

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